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  • 2018-11-01T12:00:00 2018-11-01T13:30:00 Europe/Paris ART LAW Centro de Congressos Miragaia UIA
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ART LAW

  • 01/11/2018 - 11:00 - 12:30
  • Centro de Congressos Miragaia

Presentation

Robotic Art: Automated Art Creation and New Legal Issues

Although early examples of robotic art and theatre existed in ancient China (mechanical orchestra, flying mechanized doves and fish, angels and dragons etc.), the names of their creators have mostly been lost to history. Advances in engineering have created new possibilities for the automated creation of artworks, which is now booming with the advent if Artificial Intelligence.
On the one hand, robotics have now become a mode of expression for artists confronting fundamental issues and contradictions in our advanced industrial culture. This movement, known as Algorithmic Art, is the fruit of reflection by artists on the omnipresence of automated IT related tasks, managed daily by algorithms. It is also an understanding of the importance and the place of artists in the field of creation and the very notion of authorship.
On the other hand, algorithms are increasingly used to automatically create music, journalistic contents or databases with little or no human intervention, raising complex and mostly unresolved issues about existence, ownership and exploitation of copyrights and moral rights.
The legal impact and challenges of these issues will be discussed during this session.

Documents

  • Report
    English

    Robotic Art Automated art creation and new legal issues - an Australian perspective

    Pauline WRIGHT

    Robotic Art Automated art creation and new legal issues - an Australian perspective

    Les Machines de L’Île
    The fantastical machines created by the imagination of Jules
    Verne and brought to life in his writings were given physical form
    in the Carrousel des Mondes Marins at Les Machines de L’Île in
    Nantes.
    There can be little doubt that Verne (or his estate) owns the IP in
    the written words and that the creators own the property in their
    machines, but what of the daily performances of the creations?
    Does the choreography of the mechanical elephant or the motion
    of the carousel belong to the operators? The owners of the park?
    If the machines could operate themselves through the
    application of AI and created a performance, would they own the
    rights in the choreography?
    The core of the issue is the notion of authorship and the place of
    artists, technologists and computer intelligence in the field of
    creation.

  • Report
    English

    Robotic art and new legal issues

    Pauline WRIGHT

    Robotic art and new legal issues

    Robotic Art: Automated art creation and new legal
    issues - an Australian perspective

  • Report
    English

    ROBOTIC ART: AUTOMATED ART CREATION AND NEW LEGAL ISSUES

    Massimo STERPI

    ROBOTIC ART: AUTOMATED ART CREATION AND NEW LEGAL ISSUES

    The disruptive impact of AI on Copyrights
    The evolution of AI – An Overview
    Copyrighted materials created by AI: are they copyrightable at all? Who owns the copyrights? What about moral rights?

  • Report
    English

    AI and art

    A UK copyright perspective

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